Jeff Smith giving "Midnight at Bean Blossom" a last going
over before recording it in Room B (U87) Subsonics Studios, San Jose California ( Nov. 12th 1997 ) Photo by Jim Moss/Bob Black |
Dave Shogren (Engineer) in Subsonics Control Room
Subsonics Studios, San Jose California ( Nov. 12th 1997 ) Photo by Jim Moss/Bob Black |
Paul Squyres, Bob Black, Frank Wakefield, Jeff Smith
learning new Jim Moss tune "Whistling Rabbit" in Room C (Guitar used an AKG414) Subsonics Studios, San Jose California ( Nov. 12th 1997 ) Photo by Jim Moss/Bob Black |
Jim Moss (Quote: "Producing is like bookkeeping.") working on
track-sheets and Dave Shogren (Founding member of the Doobie Brothers) engineering in Control Room of Subsonics Studios, San Jose California ( Nov. 12th 1997 ) We recorded these tunes on the AKAI DR16 and backed up to ADAT. If needed we could combine the 16 channels of the DR16 with the 16 channels of the 2 ADATs producing a total of 32 channels. Of course, in Traditional Bluegrass one can do just fine with 16 or even 8 channels. Photo by Jim Moss/Bob Black |
Paul Squyres, Bob Black, Frank Wakefield, Jeff Smith
learning new Jim Moss tune "Whistling Rabbit" in Room C (Guitar used an AKG414) Subsonics Studios, San Jose California ( Nov. 12th 1997 ) Photo by Jim Moss/Bob Black |
Frank Wakefield and Bob Black in Room C (Mic U87)
Subsonics Studios, San Jose California ( Nov. 12th 1997 ) Photo by Jim Moss/Bob Black |
Frank Wakefield and Bob Black in Room C (Mic U87)
Subsonics Studios, San Jose California ( Nov. 12th 1997 ) Photo by Jim Moss/Bob Black |
Frank Wakefield goofing during a playback while recording Bill Monroe's
"Call of the Shepherd" in Room B (Mic U87) Subsonics Studios, San Jose California ( Nov. 12th 1997 ) Photo by Jim Moss/Bob Black |
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